The Wood Brothers

A Soulshine Sunset Concert Event Presented by Beak & Skiff and Creative Concerts

The Wood Brothers

Parsonsfield, Lula Wiles

Sat, June 17, 2017

Doors: 5:00 pm / Show: 6:00 pm

Beak and Skiff Apple Orchards

LaFayette, NY

$25.00 - $30.00

This event is all ages

The Wood Brothers
The Wood Brothers
THE WOOD BROTHERS
Live At The Barn

In a career chock full of highlights, The Wood Brothers hold a special place in their hearts for their performances at Levon Helm's legendary Midnight Ramble. As repeat special guests at Helm's famed Woodstock barn, the trio—guitarist Oliver Wood, bassist Chris Wood, and drummer Jano Rix— developed a cherished friendship with the late icon that transcended simple musical collaboration and left an indelible mark on their songs and their lives. That shared history made it all the more emo- tional when The Wood Brothers returned to the barn on August 19, 2016, for their first Ramble since Helm's passing. Captured pristinely on their new album, 'Live At The Barn,' the band's sold-out performance that night spanned their career and showcased the kind of singularly eclectic and electrifying performance style that's earned them devoted legions of fans around the world.

"We're huge fans of Levon's and count him as a big influence," says Oliver, who named his son for Helm. "Since we actually got to know him, his influence was more than musical—it was personal. He was one of those unique and powerful personalities, and I’ll always remember how gracious he was. We also got to know his daughter Amy quite well and have had great tours and collaborations with her. She’s a beautiful soul just like her dad, and we have fond memories of playing with both of them in that barn."

Live At The Barn follows 2015's critically acclaimed Paradise, which the band recorded at Dan Auerbach's Easy Eye studio in their adopted hometown of Nashville, TN. Hailed by Rolling Stone for songwriting "that hits both the heart and head" and praised by American Songwriter for its "spry, soulful folk-rock," the album debuted at no. 1 on the Billboard Heatseekers Chart and launched The Wood Brothers into the most successful year of their career, with performances everywhere from Bonnaroo to Red Rocks to Carnegie Hall.

NPR's World Cafe raved that "there is so much warmth, soul and musicianship at a Wood Brothers show, it's no surprise that the band's audience keeps growing," and Live At The Barn is no exception. Over the course of the album's nine tracks, the band careens from soul to folk to funk to blues to rock, mixing acoustic and electric instruments and effortlessly blending eras and regions of American music. While the album documents their remarkably adventurous musicianship and tight interplay, it also manages to capture their extraordinary relationship with their fans, an essential ingredient in the magic of any Wood Brothers concert. On "I Got Loaded," the exuberant audience joins in a rousing call and response, while the bluesy groove of "Tried And Tempted" elicits whoops and hollers from listeners overcome by the energy in the room. The Wood Brothers can effectively transform any venue into a revival tent with their exhilarating performances, but there's something singular about playing in that barn.

"It’s so intimate and casual that it feels less like a concert and more like a living room jam," says Oliver. "The spirit in there is strong, from the history and the intent that Levon had when he built the place to all the great music and musicians that have played there."

With Live At The Barn, The Wood Brothers weave their own little moment into the rich and ever expanding tapestry of Levon’s barn, while at the same time tipping their cap to the influences that came before them. It's only fitting, then, that the record ends with The Band's "Ophelia," a mainstay of The Wood Brothers' live show from a time well before any of them ever imagined performing, let alone recording an album, in such an historic space.

"We're just proud and honored and humbled that this album was made in the barn," says Oliver. "I’d like to think we're part of the same lineage as The Band. We certainly draw from a lot of the same roots, and they've always been an inspiration. Their music reminds us to be ourselves.”
Parsonsfield
Parsonsfield
PARSONSFIELD – BLOOMING THROUGH THE BLACK

May 6, 2015: Day One in the abandoned axe factory hadn't gone as planned, so today is the first time the five members of Parsonsfield will actually get to make music here. They'd been looking forward to converting this cavernous industrial space on the banks of the Farmington River in Collinsville, CT, ever since singer/banjo player Chris Freeman, who grew up nearby, brought it to their attention. The idea of recording in such a reverberant, reactive space held great appeal after the past six months spent in Canada exclusively performing their critically acclaimed original songs for 'The Heart Of Robin Hood,' a musical that required them to wear in-ear monitors for eight shows a week in theaters designed to be sonically dead.



They've got their amps and PA plugged in now, and there's a faint layer of sawdust on top of all the gear. It's nothing compared to yesterday, when they opened the doors for the first time and discovered sawdust an inch thick coating every imaginable surface. It was so bad they had to purchase respirators and devote the entire day to sweeping and vacuuming, trying to outwit the neighbor's overzealous guard dog every time they came and went from the building. The whole process left so much dust still floating in the air that every time they take a break, another layer settles back down to earth, but at least they can comfortably breathe now.



Above them, a cyclist crosses the rickety bridge over the river, making a distinctive clatter as the wheels hit a particularly loose plank. It's time to begin 'Blooming Through The Black.'

* * *

Though they call western Massachusetts home, Parsonsfield draws their name from the rural Maine town that's home to the Great North Sound Society, the farmhouse-turned-recording-studio of Josh Ritter keyboardist/producer Sam Kassirer. It was there that they cut their outstanding debut, 'Poor Old Shine,' which established them as a roots force to be reckoned with. The New York Times hailed the band as "boisterously youthful yet deftly sentimental," while Folk Alley dubbed their songs "the most jubilant and danceable indie roots music this side of the Carolinas." Their rowdy live performances only upped the ante, with The Bluegrass Situation falling for their "fun and frenzy" and No Depression raving that they'll "give you rich five-part harmonies one minute, sound like bluegrass on steroids the next, and then rock you over the head with unbearably cool and raucous Celtic rhythms."



It was only natural, then, that they called on Kassirer once again for their follow-up, 'Blooming Through The Black,' enlisting his engineering and production ingenuity to help convert the axe factory into a temporary recording studio. In addition to placing microphones on each instrument, Kassirer set up additional mics throughout the factory just to capture the feel of the enormous space, which itself became another instrument in the band's already-impressive repertoire.



Parsonsfield spent nearly six months writing and rehearsing in the factory, discovering that song ideas that had begun life in Canada radically transformed in their new home. The space demanded understatement and subtlety to balance out the band's exuberance and energy, and by the time they were ready to hit record, they were sitting on a collection chock full of the most infectious, emotionally mature songs of their career.



'Blooming Through The Black' opens with 'Stronger,' a slow-burner that, much like Parsonsfield's career, begins as an acoustic folk number and builds to an electrified tumult. It's a showcase for their instrumental prowess, lyrical chops, and unbridled passion, and it's just the start. The title track—inspired by the sight of the first flowers growing back in the forest fire-charred landscape of Hell Canyon, South Dakota—finds Freeman blending punk energy with earnest sincerity in his delivery, while "Across Your Mind" rides a feel-good groove driven by bassist Harrison Goodale and drummer Erik Hischman, and "Water Through A Mill" ebbs and flows like a solemn hymn on top of Max Shakun's meditative pump organ.



As the band explored the quirks and eccentricities of the factory, unexpected sounds and moments sometimes became permanent fixtures of the songs, but a particularly happy accident occurred outside the studio entirely, when Shakun called mandolin player Antonio Alcorn for help setting up his new record player. Upon dropping the needle somewhere in the middle of a copy of 'Poor Old Shine,' they discovered it was spinning backwards, but the melody coming out of the speakers was perhaps even more of an infectious earworm than it was when played forward. They brought the new riff to the rest of the band, where it morphed into "The Ties That Bind Us," a stand-out foot-stomper and a highlight of their live show.



Catch Parsonsfield onstage any night and the band's joy is palpable. They trade instruments, share microphones, and shoot each other big grins. They sing in tight multi-part harmonies, their voices blending like they've been doing this together all their lives. That's because Parsonsfield is a family band, not by birth but by choice. And with an album this thrilling, it's only a matter of time before you share their same enthusiasm.



Listen closely at the top of "Don't Get Excited" and you'll hear the clatter of a cyclist crossing the rickety bridge over the river. That's the sound of Parsonsfield inviting you into the axe factory. It's time to begin 'Blooming Through The Black.' Good luck not getting excited.
Lula Wiles
Lula Wiles
A Lula Wiles show is like a whiskey-slap to the heart. Gathered around one microphone, Isa Burke, Ellie Buckland, and Mali Obomsawin pass around instruments and frontwoman duties with style and ease. Their effervescent vocal harmonies, deep musical chemistry, and fresh arrangements create a dynamic and spirited live show. Lula Wiles are equally at home in a rowdy bar of two-steppers, a sweltering midsummer festival stage, or a quiet candlelit club. They bring diverse influences to original songs that combine tradition with a distinctly modern sensibility. Their repertoire spans from centuries-old Appalachian ballads to classic country to contemporary Americana songwriting. All the members of Lula Wiles grew up in Maine in musical families, and they began playing music together as kids at Maine Fiddle Camp. One by one, they each found their way to Boston to study at Berklee College of Music. Isa and Ellie (both on vocals, fiddle, and guitar) began performing as a duo in April 2013, and Lula Wiles was born when Mali (bass, vocals) joined the band a year later. Now based in Boston's thriving and close-knit roots music community, Lula Wiles have performed at premier festivals and clubs throughout the Northeast, including Club Passim, One Longfellow Square, Grey Fox Bluegrass Festival, Ossipee Valley Music Festival, Fresh Grass Festival, and Tweed River Music Festival. Above all else, they value the community spirit of roots music and and they seek to create music that will allow them to connect with their audiences. As songwriters, these young women navigate hope and heartbreak with clever lyrics and fearless honesty. All proficient multi-instrumentalists, the three women of Lula Wiles are each uniquely powerful in their own right, but combined, they are a force to be reckoned with. Their debut album will be released in spring 2016.
Venue Information:
Beak and Skiff Apple Orchards
2708 Lords Hill Road (Rte. 80)
LaFayette, NY, 13084